Block six critiques the unique landscape of suburbia in the United States. This landscape derives from a complex interaction of racial, class, political, economic, and ecological systems. All the posters attempt to suggest the inequalities and exploitations seething beneath the verdure of the "bourgeois utopia".

22 accuses the suburban resident and designer of acutely blinding narcissism. Seeing only their own reflection in the landscape they assume that no other ways of life or social structuring are possible or even desirable. The whitewash is tinged with the greens of a domesticated and exclusionary "Nature".

23 exposes the factors that parade beneath the rosy pleasantries of the suburban facade, and exhorts designers to remove their culturally affixed blinders.

24 and 25 play upon terms from cultural studies as they relate to particular landscape manifestations. The connections made demonstrate the formal expression of relations of power and its impact on the landscape.